[25]
For his employment of words such as
olli,1 quianam,2 moerus,3 pone4 and pellacia5 gives his
work that impressive air of antiquity which is so
attractive in pictures, but which no art of man can
counterfeit. But we must not overdo it, and such
words must not be dragged out from the deepest
darkness of the past. Quaeso is old enough: what
need for us to say quaiso?6 Oppido was still used by
my older contemporaries, but I fear that no one
would tolerate it now. At any rate, antegerio,7 which
means the same, would certainly never be used by
anyone who was not possessed with a passion for
notoriety.
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